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Reflections on Contemporary Travel, with a Poem

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When my husband and I travel, we usually use one motel chain, one which claims, and usually provides, certain amenities such as a decent breakfast, thick towels and internet service.  This practice also enables us to build up points toward a free stay once or twice a year.

There is one problem with having a “rewards card” however.  It means they have our email address.  After each stay we get a request to fill out a survey.  There is no “I choose not to” option at this point – if we don’t answer it we’ll get a “friendly reminder.”  Part of the survey includes “when did you last stay in a motel?”  “Which brand was it?” and “Did the brand name influence your choice?”  By this time I want to scream “Yes!  Of course the name influenced us!  We have a rewards card!  Aren’t you paying attention?”  But they are not paying attention.  They offer no place to make a comment to the organization, instead of to the individual hotel.

But the question which gives me the most trouble is “Was this trip for business or pleasure?”  If I have to get across the country to visit family, there ought to be a third category.  Would it be both?  Neither?  This became an acute issue for me when I was travelling to visit my mother because she was ill.  The culprit that time was an airline, but the reaction was the same.  Is it business or pleasure?  It’s both.  it’s neither.

My chapbook The Map of Longing includes a number of poems related to my mother’s last months.  The fact that it happened at the same time we were preparing to move made everything sharper and more complicated.  In the poem below I tried to express some of my frustration.

Choice

The form asks, “business or pleasure?”
No “other” category for this trip
which is neither―or both:
my mother’s business,
her pleasure in our visit,
our pain in the strained connection,
spoiled arm, scattered mind.

The web of family combines
what marketers want to segment,
as if pain and pleasure could
be wrapped separately, like
the chocolates she loves, as if
“all of the above” were an option
one could choose not to check.

The Map of Longing is available through Amazon.  You can get a signed copy from me via ERYBooks.

Ghost Ranch, Abiquiu, New Mexico

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Cliffs at Ghost Ranch

Ghost Ranch is a feast for the eyes, a wonderful place for a photography or painting class.  I was there to write.  All week, I tried to find words to describe the turning cottonwoods, yellow, gold, against the evergreens of pine and juniper.  I failed.  But I came away with many words on other subjects: new material to work with.  More on the people, the place and the class in a future post.

Cottonwoods at Ghost Ranch

Mutual Admiration: From the Biography

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John Emerson Roberts did not always preach on “orthodoxy” and theology.  One sermon he gave in November, 1895, was very topical: it concerned the death of an African American boy in the county jail.

Titling his sermon “Dead in Cell No. 5, Fourth Tier East” Roberts first relays the story in considerable detail.  Three boys had been caught stealing from a house they’d broken into.  Known to the police as troublemakers, they were sentenced to ten months to a year in the county jail.  Three months into the sentence, Willie MacManamy, age 11, died of pneumonia.  The arguments among those in charge following this event, which had taken place the Monday before Roberts spoke on the issue, were over who had to pay how much to whom to care for the body and release it for burial.

Roberts asserts, in spite of the volume of newspaper coverage, that “Society did not feel even a momentary acceleration in its modulated pulse-beats.”  Calling a child of the streets the “abridged edition of the people,” Roberts suggests that the child has great potential if only good seed can be sown on “the waiting soil of his virgin heart.”  But the time for such intervention is very short, and society fails to sow the seed because society itself is immature.  The philanthropic activity that exists is mostly selfish, an effort to keep the needs of others at a distance.  Roberts concludes by using the motif “if Christ came to Kansas City.”  He contrasts the number of well-appointed churches with the problems of street children and overcrowded jails.  The churches are no better than society as a whole.

The progressives who were beginning to seek to reform cities across the nation would agree with the way Roberts laid out the social problem.  Roberts, however, was not a reformer.  He was content to watch and wait, confident that society would in time grow up.

Roberts’s sermon was published in a local magazine called “Humanity.”  Robert Ingersoll was in Kansas City in May, 1896; while there he picked up a copy of the magazine.  After he got home he wrote to Roberts:

Rev. J. E. Roberts,

My dear Friend:

On my way home I read in “Humanity” – a sermon of yours in which you tell of the death of the child in jail.

The climate of that sermon is like a perfect day in June, and I write simply to thank you for delivering it.  No one can read it without having his heart touched and softened. —

You are preaching a religion for this world – for the living while they are alive and by all odds you are the best, the most enlightened, the most liberal, the most intelligent, the most eloquent minister, so far as I know, in the whole world.

With the greatest admiration, I remain

Yours always, R. G. Ingersoll.

“The climate of that sermon is like a perfect day in June.”  Roberts remembered this praise, long afterward referring to it as “that sermon has the breath of a day in June.”  It was a metaphor that stuck with him. “You are preaching a religion for this world” pleased Roberts too.  He knew now that Ingersoll understood that he, John Emerson Roberts, was on the same wave length – I shouldn’t put it that way, because “wave length” is an anachronistic term neither man would have understood, but it suggests a resonance between the two men.  They understood each other and admired each other to the end of Ingersoll’s life, which unfortunately was only a few years later.

Quotations are from John Emerson Roberts: Kansas City’s “Up-to-date” Freethought Preacher.  For more information see the Books page.  Ingersoll’s letter is one of four to Roberts included by Eva Ingersoll Wakefield in The Letters of Robert G. Ingersoll (Philosophical Library, 1951).

One for Fun

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I’m sharing a poem today of which I am particularly fond because it was one of those rare ones that just came.  There’s nothing factual in it―perhaps it has the truth of a good story, flash fiction in poetic form.  Enjoy!

Decaf, Please

An old car knocks,
and an old man, thin hair
slicked like the teenager
he once was, asks me
to go with him,
leave the museum,
grab some grub, or a latte
(we’ve given up smoking).
Seize the day, he begs me,
a seizure might interrupt.

The era of ambience
is over – dimmed lights,
candles, appearances
that mattered in the eighties.
We pass up Starbucks
for a booth at the diner:
when the nineties’ bubble
burst we were thrown
back to essentials:
a man, a woman, a drink.

“Decaf, Please” was first published in Into the Teeth of the Wind and is included in my collection Accidents (Finishing Line Press, 2004).

Rereading Sacred Text, With a Poem

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In my last post I mentioned in passing the feminist interpretation of the Biblical record.  There have been many kinds and layers of this.  I was involved in a number of them.  I attended meetings of the Evangelical Women’s Caucus.  I read Daughters of Sarah and Free Indeed, two periodicals produced by women seeking to reinterpret what they had been taught.  Both survived only for a time, which is typical of small magazines of all kinds. Free Indeed took its name from the passage from John, “If the Son makes you free, you are free indeed.”  Daughters of Sarah published a few of my poems.

I learned to think for myself through looking at the many different women’s approaches to scripture.  I had gotten through college as a very good student who believed what I read, whether it agreed with my own experience or not.  Amid all the women’s perspectives, it was necessary to make choices, and one of the keys to those choices was “does it fit with my experience” instead of “does it fit with what I’ve been taught.”  This approach was the gift, for me, of feminist interpretation.

There are many stories about women in the Bible.  Some are extensive, some seem to be only fragments.  At one time I concluded, “The named woman is the one who got into trouble.”  Here is a poem I wrote during this period.

Sirens

As I circle stony islands
where ten foot tides turn ledges
into granite waves,
threats to an outboard propeller,
I hear Delilah sing
with Jael and Judith.

On a bluff of ragged rock
these three women, servants
to god and country, sing by turns
of Sisera, Holophernes, Samson,
of tent peg, sword, and scissors.
The song repeats like blues,
like scissors, rock, paper,
break, cover, or cut
to the next story,
the next severed head
served up on a fine platter.

The trays have corroded
on which the tribes they served
once served them empty honors.
Their hungry song blends
with calls of cormorants and gulls.
From such contagious sorrow
I flee to deeper water.

Among other things, this poem is meant to suggest that the situation for women is similar on both sides of the conflict; Delilah was, in the history, an enemy of Jael and Judith, yet I imagine their stories were similar.  I’ve placed them not in the Mediterranean but on the Maine shore, which I know, can describe more vividly, and have used to reflect their mood and situation.

Many of the women whose work I was reading in those days gave up on the patriarchy of Christianity, and Judaism as well, altogether; some became Wiccan.  I stayed in my tradition, but continued to rethink the reading of Scripture.  Now I look at my sacred texts from many points of view.  Some days I take the words quite literally, but I am convinced that, however much inspired, they were written down by people who could only communicate in the language of their time.  Other times I am struck by how much of our God language is, and has to be, metaphor.  Always I find it a rich source of story, language and reflection on the human condition.

“Sirens” was published in Daughters of Sarah in 1990.

A Pure Beginning: Reflections and Poem

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In the nineteenth century, when John Emerson Roberts was a liberal preacher, there were many people who believed in an original “pure” Christianity, before things got messed up with doctrines and debates and rules.  One such person was Alexander Campbell, whose follower were first called “Campbellites.” They eventually became the denomination Christian Church/Disciples of Christ.  Another case was that of Joseph Smith; he  avoided creating one more denomination among many by developing a whole new Church, the Church of Jesus Christ of Latter Day Saints.

In the twentieth century there was another kind of belief in an original Christianity as feminist scholars like Elizabeth Schussler Fiorenza gathered together clues of the roles of women in early Church communities, before the bishops made them second class members.

Current scholars recognize plenty of evidence that there was no original “pure” Christianity.  The letters of Paul reflect lots of discord: “You shouldn’t eat that!”  “You shouldn’t do that!”  “My way or the highway!”  In fact, the writer of the Acts of the Apostleswhom we call Luke may have been the first to imagine a state that never existed, one of harmony and agreement among all.

What I imagine in the early church is a stronger fellowship.  But it may be that strong fellowship requires a common danger.  Those who see “true Christianity” as beleaguered in today’s “secular” culture, probably are able to build such fellowship more easily than others.  Here’s my image of then and now:

Twilight

The half-light of half-learned lessons
cuts us off from elders
of the sharp-edged pagan years.
Outlined by evening sky
they walk toward prayer,
leaning over their lamps.
By flickering light they stand
in corners cut in damp earth
holding each other tall.

Old story told once more,
we rise from cushioned pews,
let fall each other, uninstructed
in the catch of shifting weight.
Shadows of wistful wishes wax
in failing light.   The dark
is out there.  Who can teach
the bending into it?

I don’t recall what darkness concerned me when I wrote this poem.  Perhaps I was just discovering that darkness is a part of life, not to be avoided.  I learned through dance that catching one who falls can be taught; we were also taught how to allow ourselves to be caught.  It’s the same with emotional support – we can learn to give and to receive, but it is something we do need to learn.

Thanks to Allen Matlins for returning this poem to the light by posting it on his blog last November.  It was published in Christian Century in 1983.  Rediscovering it has led me to look at other poems I wrote about that time, to ponder how things and people change over time, and to find several which are still “good enough to share.”

Popular Preacher, Part II: Rhetoric and Religion

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When John Emerson Roberts did his five part series on The Inevitable Surrender of Orthodoxy, he set up a series of parallels, a good rhetorical device.  The second sermon was on “Two Gods” the God of vengeance and the God of mercy.  The third sermon, on “Two Bibles,” contrasted the Bible, valuable as a record of human development, with the natural universe, “the only book God ever wrote.”  The fourth sermon, “Two Plans” he used mostly as an excuse to discuss and dismiss old ideas of the atonement.  “The necessity of an atonement disappears with the old idea of a capricious and changeable God,” he concluded, ignoring his own earlier comments on a God of judgment vs. a God of mercy.  A rhetorical flourish.

Only in the final sermon of this five-sermon set did Roberts turn to more positive thoughts.  It’s another parallel, this time between Jesus and Voltaire.  This idea was not new with Roberts; he borrowed it from Victor Hugo, who had spoken on the occasion of the hundredth anniversary of Voltaire’s death in 1878.  In fact, a good third of the sermon is straight from Hugo, though Roberts does not admit it.  This is normal for preachers; they are not required to identify their sources.

Voltaire was a popular freethought hero in the United States in the second half of the 19th century.  Born Francois Marie Aroeut in 1694, he was a poet, playwright and philosopher who challenged authority at every turn.  He wrote satires about church and society.  Of his works, one that survives today is Candide – in large part because Leonard Bernstein made an opera out of it.

One hundred years ago Voltaire was much better known:
●  In 1866, Voltairine de Cleyre was named after him.  After enduring education in a convent (her parents thought it was the best education available to a young woman) she became an atheist and an anarchist.
●  In 1879, the Music Hall was built in Chicago partly to provide a platform for David Swing, a liberal preacher who had left the Presbyterian denomination.  Voltaire’s bust was included along with those of Moses, Mozart and other heroes of faith and music.
●  Clarence Darrow, who had admired Voltaire since his youth, found him a profitable lecture topic in the early 20th century.

Roberts begins his discussion of Voltaire with a strong metaphor:  “The plain is habitable because the mountain is beyond,” he says, and continues:

Voltaire was the mountain.  Rugged, defiant, implacable, lightning-scarred, storm-enveloped, immovable, august, sublime, he towered above Europe and the eighteenth century with unspeakable scorn for superstition, secular or sacred, and with unquenchable devotion to reason and light.  Kings exiled him.  Police officers arrested him.  Bastilles and prisons confined him.  Ignorance hated him.  Superstition execrated him.  The priesthood denounced him. . . .

What has this to do with Jesus?

There are of necessity two kinds of prophets.  One shows the way to heaven, that is to moral health, to sanity, to a consisten and reasonable faith and to kindness toward men and reverence toward God
Such was Jesus, and such are all great souls who, from the spirt and genius of the world of matter and of man, imbibe the thought of God.

Voltaire is another kind of prophet, one of those “whose visions disclose the abyss towards which the unreasoning haste.”  Roberts’s argument requires the assumption that religion in Voltaire’s time had reached a very low point.  Voltaire, Roberts says, “rescued it from ecclesiastical asphyxiation and gave it light and air.”

After going at length into the contrast of Jesus and Voltaire as two types of prophet, Roberts brings them back together:

The church in all ages has put dogma first, charity and tolerance last.  Christianity today is dogma plus all the virtues that support the social order.  Jesus reversed that method.  Voltair reversed that method.  Jesus was called in his own day a heretic, and would be called a heretic now.  Voltaire was called a heretic, and would be called a heretic now.  But God sends such heretics among men to sweeten life, to establish justice, to illuminate the true, the beautiful and the good, to plead for humanity and for God and prevent religion from perishing from the earth.

Roberts was carried away by his own rhetoric, and so was his congregation.  He filled a 500 seat sanctuary with his sermons.  It is quite a stretch to call Jesus a heretic, since the Judaism of his time was both varied and non-dogmatic; the charge of heresy requires a single controlling authority.  Roberts is reading back from his own experience and his own era.  There is, however, some truth in his claims.  Christianity has always been at risk of becoming a prop for the status quo: “dogma plus all the virtues that support the social order.”  Roberts seems to be putting his hope in a new Voltaire, rather than a prophet like Jesus.

This post is an expansion of material in John Emerson Roberts: Kansas City’s ‘Up-to-date” Freethought Preacher.

Reflections and Poem: Habit

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Habits: We need them to survive.  There’s no way we could get anything done if we had to make a decision about every step and action of getting up, getting dressed, preparing breakfast, or preparing for sleep.  It was a dental hygienist, instructing me in flossing my teeth, who told me, ‘It takes four months to make something a habit.”  That’s not very long in the grand scheme of things, but it requires constant attention until the habit takes hold.

There are habits of action and habits of thought.  Prophets, I would say, disrupt our habits of thought.  Prophets are not soothsayers, tellers of the future.  They tell us things we might have seen or understood if we had been looking from their perspective.  They asked us to “think outside the box” back when that was not yet a cliché.

There are habits also of attention: stopping to look or listen as we carry on our habitual activities.  I wrote about my interest in William Paley in a blog back in May (May 9).  In his Natural Theology, published in 1802, Paley, an Anglican clergyman and theologian, asked his readers to pay attention to detail, from the smallest features of the eye and ear to the way plants and insects interact on a summer day.  For Paley this was all evidence of God’s good creation.  But such attention to nature is not bound to any particular theology; many religions suggest this approach to the world, as a way of really seeing, of paying attention to what is.  I tried to capture Paley’s approach, which suits my world as well as it does his very different world view, in this poem:

Habit

Alert to the ordinary, caught
by wonder at small creatures,
hidden muscles, as thumb or
toe is wondrous to an
infant, he has no
mantra, no method
to teach this habit of
attention, wonders at
the lack of wonder
in those who cannot stop
to look, who only admire
the new, the bold, sharply
chiseled lines, contrasting
colors that shout most
loudly in the constant press
of seen and sensed that
batters them until
like overbeaten dough
they lose their power
to rise to admiration, to
wonder at the marvels of
the bodies they inhabit.

“Habit” is included in Ascent: Five Southwestern Women Poets (2011).  See more on Books page.

Recommendation: One Earth Project

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One earth?  Of course we all live on one earth, don’t we?  Yet, we don’t acknowledge this is all our actions.  Do we consume more than our share?  Are we depleting resources?  These questions have been around for a long time, without bringing people to new understandings of the place of humans on the earth.  Notice that I speak of “understandings” here, not of actions.  Action follows from belief structures.

Myths and religions grow up together.  Myths may have multiple meanings.  Religious leaders try to narrow them down.

I believe that sacred texts are meant to be encountered anew by each generation, each devout reader.  But we come to them with preconceptions, conditioning.  There’s the conditioning of our upbringing in Sunday School, perhaps.  But an even stronger influence may be the conditioning we have acquired from the society we live in.  Going back to reexamine our sacred text and to rethink meanings which have been handed down is a true spiritual quest.  It is how prophets are made.

Purple Mat

I put here a new picture of the purple mat in my yard.  Notice the curved edge beside it.  That is a 12” round stepping stone that provides a sense of scale for this small plant.  You have to be watching for it to see it.  This is a good metaphor for the voices of prophets in our midst.  You have to be listening for those voices, but they are there.  One such voice can be found on Lee Van Ham’s blog, The One Earth Project.  Lee has rethought some very old stories in Genesis, the story of Eden and of Cain and Abel.  His interpretations give new insight for people trying to relearn what seems in our day almost a lost art: to be one with the created world instead of using and, in some cases, abusing it.  And to stop living as if we had multiple earths to supply our needs.

Click on One Earth Project in the blogroll on the right of this page.  See where Lee’s thinking is taking him now.

Political Conventions Then and Now

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The purpose of a political convention, traditionally, is to select a party’s candidates.  This year that’s all been done, due to a long process and lots of media attention.  Instead of a meeting to make a decision, the conventions are carefully scripted presentations, meant to persuade those outside the hall, who, thanks to the television coverage, can usually see what’s happening on the stage more clearly than those inside.

Things were different in 1876, when Robert Ingersoll gave his famous speech nominating James G. Blaine for the Republican candidate for the presidency.  In those days the people outside the hall had to wait to read the speeches in the newspaper.  Ingersoll’s rhetoric was for the attendees alone.

In matters other than technology, however, there were similarities between 1876 and our present state of affairs.  The national debt was worrying everyone.  It had quadrupled during the Civil War; it stood at $2.18 billion and was showing no signs of dropping.  In addition, a panic in 1873, propelled in large part by shady dealings among Wall Street financiers, had induced a recession that was far from over.  Wars, deficit and recession: things we are familiar with today. Ingersoll’s speech suggests a different approach to these issues from that which current leaders offer.  What the Republicans want, he argues, is this:

They demand a man who will sacredly preserve the financial honor of the United States; one who knows enough to know that the national debt must be paid through the prosperity of this people; one who knows enough to know that all the financial theories in the world cannot redeem a single dollar; one who knows enough to know that all the money must be made, not by law, but by labor; one who knows enough to know that the people of the United States have the industry to make the money, and the honor to pay it over just as fast as they make it.

Later on he adds:

This money has to be dug out of the earth. You cannot make it by passing resolutions in a political convention.

The idea that money could be created without gold and silver to back it up was unthinkable in 1876.  Wealth, whether of the country or the individual, could only come through work.  Ingersoll becomes quite poetic as he expand on this.  His balanced phrases can be set into lines like a poem:

The Republicans of the United States demand a man
who knows that prosperity and resumption,
when they come, must come together;
that when they come,
they will come hand in hand
through the golden harvest fields;
hand in hand by the whirling spindles
and the turning wheels;
hand in hand past the open furnace doors;
hand in hand by the flaming forges;
hand in hand by the chimneys filled with eager fire,
greeted and grasped by the countless sons of toil.

Such fine language, though highly praised and long remembered, did not win Blaine the nomination, which went to Rutherford B. Hayes.  Hayes then won the election through promises to the South to remove from southern soil the Federal troops that were attempting to enforce northern standards, an issue Ingersoll had not addressed.   Government requires more than rhetoric.

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