John Emerson Roberts’s contacts with Robert Ingersoll, described in my blog of October 6, bore fruit in the fall of 1897.  From my biography of Roberts, here is a description of Roberts’s independent “Church” and how it operated:

The Church of This World held its first service in the Coates Opera House on September 12, 1897. In addition to Roberts’s lecture, which he still called a sermon, music was provided by Carl Busch. The service apparently consisted only of this music and the sermon with no offering, no hymnody, and certainly no prayer. It is interesting that the organization was called a church, given the comments Roberts made in the spring about the negative connotations of that term. The phrase “this world” was evidently taken from Ingersoll’s letter praising Roberts’s sermon about the boy who died in jail: “You are preaching a religion for this world.”

Carl Busch was a major figure in the music world of Kansas City.  Born in Denmark in 1862, he studied in various institutions in Europe.  In 1887, Busch was working in Paris, playing in orchestras conducted by Camille Saint Saens and Charles Gounod. The Danish vice-consul in Kansas City invited Busch to organize a string quartet and bring it to America. Busch did so, and spent the rest of his life based in Kansas City. Times were not easy for the arts. Busch organized a series of orchestras and programs, but between the economic troubles of the late 1880s and the 1890s, and the lack of developed musical taste among the well-to-do business class who were the city’s elite, support was not always sufficient. The position as music director for the Church of This World was at least steady work, though very part time; Busch was still employed there when his biography was written for Whitney’s Kansas City, Missouri, in 1908.

The Church of This World was set up with a board of trustees just as the Unitarian Society had been. The names of the earliest set of trustees are not known. The trustees are listed in the newspapers only in later years when there were stories of development or decline to report. The funding for the church was provided by supporters who paid for their seats; the cost ranged from $5 to $25 per year. This practice is comparable to the idea of pew rentals, which many churches used to provide a base of income; the theater seats were no doubt more comfortable than typical pews. Seats for those who just came in were free.

The sermons Roberts gave in that first year are lost.  In the fall of his second year, however, Roberts published a series of sermons as a hardbound book.  A few copies have survived.

These sermons show how his preaching and views had evolved. The first sermon was titled “The Imperial Demands of Progress.” The word progress had become a highly resonant term for Roberts. He begins with the idea that one has an obligation to participate in progress:
“Deeper upon enlightened minds grows the conviction that progress is the world’s supreme law. To contribute to that progress, to obey that law, is the cosmic business of everyone and of everything that is.”
While he sees this as a human undertaking, however, he has not become a true Ingersollian; he has not given up talking of God, of spirit and of the divine. He concludes this first sermon by saying,
“Let us trust the old, the common, the misunderstood earth. Let us hail the dawn of the day coming fast and sure, when all men everywhere shall see that the earth is divine, man is divine and God is all in all.”
Though “thought” and “reason” are among his favorite themes, Roberts also holds on to the idea that religion, as opposed to specific religions, is an element of life that will endure.

There’s that dawn metaphor again in the second quotation, an image Roberts used often.  Read more about his most unusual institution in John Emerson Roberts: Kansas City’s “Up-to-date” Freethought Preacher, available through Amazon from ERYBooks (or use the contact page).

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