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Trip, part 4

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The high speed train from Lyon to Paris went so fast it was hard to observe the landscape.  Just when something interesting appeared it was hidden as the train went into a cut.  Then the ride from the train station to the hotel was slowed by much traffic.  I avoided the bus tours in favor of walking and using the metro.

The highlight of my trip, and the reason I chose this travel package, came on my last day in Paris.  In pouring rain I found my way to the Cluny Museé du Moyen Age, which has a great collection of medieval art.  While it was worth taking time all the way through, the major piece is the room containing the “Lady and the Unicorn” tapestries.  After studying these for several years for Lost in the Greenwood it was amazing to see them “in person.”  The photographs cannot give the full effect, though small sections come closer. I sat there for quite some time looking from one panel to the next.

The tapestries are famously misnamed because every panel also includes a lion, heraldic partner to the unicorn, and many animals are represented in the background. Rabbits abound.

Here is a poem from Lost in the Greenwood which shows the role these background characters can play, in the imagination.

Accomplishments Make the Lady

(“Hearing” panel from the Lady and Unicorn tapestries)

A servant pushes bellows,
her mistress touches keys
of a polished table organ.

How long must she practice
to be called accomplished?

Lion and unicorn
carry sculpted poles,
bodies facing outward.

Their heads, ears, lean in
toward the woman musing.

The bored maid could stop
the sounding if she would;
her mind is far away.

Below a hound stares at
a young wolf.  All are in pause,

except six scattered rabbits,
twelve ears on the alert,
expecting sound in the silence.

A Late Launch

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I am about to do my first reading for my new book which came out a year ago.

Omicron permitting, I will be the featured reader at the Sin Fronteras Open Reading at Palacio Bar in Mesilla on February 16, sharing poems from Lost in the Greenwood.  The poems describe and respond to 500-year-old tapestries and the world that created them, combined with personal reactions and reflections.  (That’s one of the unicorn tapestries from the Metropolitan Museum of Art on the cover.) Gather at 7:30 p.m.  Reading begins at 8:00.  Open reading follows.

Here’s a brief sample poem from the collection:

Tapestries

Unlocking the past is
No simple matter when it’s wrapped
In thick carpets of color that
Combine the daily and the dreamed.
Of the joys and sorrows of the
Renaissance there is in fact
Nothing left but threads.

More about the book at http://www.ellenrobertsyoung.com

Interview: Lost in the Greenwood

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My interview with Lynn Moorer about Lost in the Greenwood, which we recorded via zoom, aired on KTAL Community Radio last Friday, August 13.  It is now available for listening on their archive page.

https://www.lccommunityradio.org/archives/category/all-about-books

You will be able to hear me read seven of the poems in the collection, a good sampling if you’re curious to know what the book is about.  Having to record via computer audio instead of a separate mike made some of the reading a little stilted (it’s hard to hold a book, lean in without blocking the computer sound, and not lose your place!) but you’ll get the drift.

My interview with Lynn Moorer about Lost in the Greenwood, which we recorded via zoom, aired on KTAL Community Radio last Friday, August 13.  It is now available for listening on their archive page.

It was fun to do; Lynn comes up with interesting questions.

Lost in the Greenwood is an almost winner

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Lost in the Greenwood is one of six finalists in the poetry category in the 15th Annual National Indie Excellence Awards.  These awards are given for books in all sorts of categories and subcategories of fiction, non-fiction, children’s books. . . , so many categories they offer an alphabet at the top of their announcement page: https://www.indieexcellence.com/15th-annual-finalists.

There is just one category of poetry, listed between picture books and politics.

I’m pleased to see Lauren Camp as another finalist.  The other poets are unknown to me.

My Unicorns Have Escaped

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My new book, Lost in the Greenwood, is out in the world. 

The poems circle around the unicorn tapestries of 500 years ago.  There’s much more than unicorns: the making of the tapestries, the world that made them, magic, nature, belief. 

It’s a book of poems about all of this, but I still think of these poems as “my unicorns.”  And these unicorns are not the modern, friendly kind. They are goatlike, feisty and as dangerous as the world in which those who imagined them lived.

In their honor, I have a new website, http://www.ellenrobertsyoung.com

The book is available at atmospherepress.com, or by contacting me.