My back yard has acquired its post-rain carpet of green. When it first appears I can’t tell which plants will be weeds and which will be wildflowers. I feel a bit that way about the results of my participation in the Napa Valley Writers’ Conference. I’m sorting out my drafts of poems and my new ideas and deciding which pieces have most potential.
Many of my poems centered on the past. Perhaps this was because I was back in California where I grew up, though the Napa Valley wasn’t part of my home turf. Perhaps it was because when one has 20 hours to produce a poem, one goes back to basics. Here’s one piece which may be complete in itself, having taken the shape of a tanka. The assignment was to show passage of time:
Almond blossoms in spring,
tiger lilies in summer. Our height
marked on the door post.
Before my brother grows tall,
the house is no longer ours.
Another piece is too short for a tanka, too long for haiku. Perhaps it is the beginning or end of a longer poem, though right now the rest isn’t working.
Prunes, apricots,
cannery by the tracks. I bury questions
in my grandfather’s orchard.
Since I’ve been working on a different poem about trying to put my ancestors behind me, I may put this aside for a while. I have researched all the main lines of my ancestry and after writing John Emerson Roberts: Kansas City’s “Up-to-date” Freethought Preacher (see Books page) I thought I was done. But here is my grandfather and his orchard once again.
Meanwhile, in a corner of my yard not as covered in new green shoots, a little clump of purple mat, my favorite local wildflower, is flourishing. It didn’t have to wait for the rain to get started. And I have lots of other material to work with while I decide what to do with my new pieces from Napa..
Aug 17, 2014 @ 19:31:02
The tanka is a fine piece. But the lines “I bury questions/in my grandfather’s orchard is just wonderfully resonant.